Monday, August 25, 2025

How San Cristóbal de las Casas became a haven for chocolate, coffee

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Jangala: Cacao y Selva café in San Cristóbal de las Casas, Chiapas
Cup of gourmet hot chocolate from Jangala: Cacao y Selva cafe in 'San Cris.' courtesy of Jangala: Cacao y Selva

It’s a far cry from what 88-year-old expat and artist Helen Bickham remembers about visiting San Cristóbal de las Casas, Chiapas, in the 1960s: back then, she found an isolated town, a village even, somewhat hostile to outsiders.

Five decades later, “San Cris” is not only a lot bigger, its streets are filled with shops, foreigners and cafes to rival anything in Europe or the United States.

But to say that the influx of tourists and expats has created a culture of drinking good coffee and chocolate in San Cristóbal would not be accurate. They have had a definite effect, but what is found today is based on what has been accomplished here long before the Zapatista Revolution put Chiapas into the world’s consciousness.

Let’s start with chocolate: in beverage form, it had an important place in Mesoamerican cultures long before the arrival of the Spanish. After the colonial era began, the Spanish eagerly sipped the frothy hot liquid as well.

There is a great story that says that in 1625, the bishop of San Cristóbal, Bernardino de Salazar, was poisoned by some upper-class ladies because he tried to stop them from serving and drinking chocolate in church during Mass. True? Who knows? But a good story to show how hooked the Spanish got.

View of Real de Guadalupe, the main tourist corridor in San Cristóbal
View of Real de Guadalupe, the main tourist corridor in San Cristóbal. Alejandro Linares García

Coffee would later replace hot chocolate even in Chiapas for the vast majority of adults. When Kiki Suárez started her La Galería cafe in 1979, she says, chocolate was not that popular. But it has since reemerged.

Most cafes in San Cristóbal serve at least one version of the drink. Although Oaxaca is better known for hot chocolate, San Cristóbal’s selections and preparation are more varied and, in my opinion, superior.

Oaxaca chocolate is invariably mixed with large quantities of sugar. In San Cristóbal, chocolate comes with varying levels of it, from something similar to that of Oaxaca (50% sugar) to preparations that are 80% and even 100% cacao.

Pro tip: if there is sediment at the bottom of your chocolate cup, you had the real deal, not Nestlé’s fake Abuelita, so don’t let that turn you off.

There are businesses in the city that focus solely on preparing and selling local and regional chocolate. They range from traditional artisanal preparations such as those available from Otoch Chukwá, which claims to be the first modern chocolatería in San Cristóbal, to completely modern operations such as Jangala: Cacao y Selva (formerly Alkymia), using up-to-date scientific methods in cultivation and processing as part of the global bean-to-bar movement.

Both businesses have branched into the creation of gourmet eating chocolate, a market that has been ignored by most Mexican chocolate producers. One reason for this is that cacao beans are traditionally coarsely ground in Mexico because of its history as a drink and the use of stone mortars called metates. Fine grinds for candy were developed in Europe. Despite having introduced the world to chocolate, Mexico cannot compete with Asia or Africa for the mass production of the bean. Its future lies in specialty niche markets, says Julio Salazar of Jangala.

Coffee at La Frontera café in San Cristóbal de las Casas, Chiapas
Coffee at La Frontera cafe in San Cristóbal. Wikimedia Commons

Coffee is neither native to the region nor has the long history in Mexico that chocolate has. But in the early 20th century, the Mexican government introduced and encouraged coffee cultivation in Chiapas and other parts of Mexico to give people living in certain impoverished areas a cash crop. Its popularity with growers was not just because it brings in money. Growers and other locals found they liked the caffeine jolt like the rest of the world.

Until recently, much of the preparation of coffee followed that of chocolate, with beans roasted on the same comales used for tortillas and ground in the same metates and molcajetes (mortar and pestles) used for corn and salsas, says David Benjamin Briones of Black Dragon Coffee Center in the city. The resulting brew, he says, was not very good as roasting was at best uneven.

Kiki Suárez agrees. The main reason she opened La Galería (Today named Kikimundo/Santa Nagual) was that she missed the quality coffee and cakes she enjoyed in her native Germany.

It is now a given that those in San Cristóbal have access to good quality, affordable chocolate and coffee. Expats may not come to live in the city because of coffee and chocolate, but most find it an added bonus.

The growth of the city, tourism and an expat community has meant an explosion in cafes in San Cristóbal. Briones says that once locals tasted coffee prepared with better techniques and equipment, they demanded quality as well.

The city now hosts cafes not only in the downtown tourist corridor but in other neighborhoods where they serve both coffee and chocolate.

Making chocolate at Jangala café.
Demonstration of making fine eating chocolate into bars at Jangala: Cacao y Selva in San Cristóbal.

Cafes in San Cristóbal do have a number of things in common: almost all are interested in the local ecosystems and populations, and many are also supportive of the arts. Many of these businesses are owned by people from outside Chiapas, including more than a few foreigners. Perhaps this is because, as Briones says. “Chiapas’ profile as a coffee producer is much higher than it used to be, even from 10 years ago.”

There is a strong belief here that both Chiapas chocolate and coffee are world-class and will get their due.

Leigh Thelmadatter arrived in Mexico 18 years ago and fell in love with the land and the culture in particular its handcrafts and art. She is the author of Mexican Cartonería: Paper, Paste and Fiesta (Schiffer 2019). Her culture column appears regularly on Mexico News Daily.

Some teachers make a special effort to overcome pandemic’s challenges

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Jemima Peláez and one of her 'stoplight learning' classes.
Jemima Peláez and one of her 'stoplight learning' classes.

The coronavirus pandemic pushed teachers and students out of the classroom, leaving some of the most vulnerable students without access to education. But some teachers found creative ways to connect with students upon seeing the challenges they faced.

For Jemima Peláez, the lightbulb moment was when she saw a young girl named Dany on a street corner. She thought about how the pandemic had left behind many of the poorest students, those who most needed access to education.

Peláez began to give Dany and other migrant and homeless children classes outside, right on the street corners where they spent their time.

“It made me sad to see the great need that exists in Mexico and the children in poverty. It has become normalized for children to ask for money in the street or sell things at the stoplights. I would go home crying. I covered two stoplights, but there were many more.”

Peláez asked for help on social media and gathered more volunteers. Now, her “stoplight learning” initiative has 23 street-corner classrooms managed by volunteer teachers in her state of Querétaro and 90 teaching places at the national level. Her strategies have been replicated in Jalisco, Mexico City and Veracruz.

Jemima Peláez’s ‘stoplight learning’ program in Querétaro.

 

As for Dany, who dreams of being a teacher, she can now read and write.

Peláez is also working to set up schools that are easier to enter for vulnerable students, many of whom do not have birth certificates and other paperwork normally required to sign up for school.

Another teacher, Rodrigo Rubio, took a different approach to reach his students, many of whom were not signing in for their online classes. He surveyed students and found that TikTok was their most-used social media network so he set up an account and familiarized himself with the video sharing app. Soon he was dancing, dressing in costumes, even riding a dinosaur in his quest to entertain his students.

Before, he said, he would remind them of class but few would log in. Now, with a constant stream of funny videos keeping them connected to their teacher, “They want more. They are connected!” Rubio said.

Carlos Rodríguez of Monterrey, Nuevo León, had also lamented the loss of connection with his students. Now known on social media by the nickname “The Cool Teacher,” he decorated his classroom in the style of the Mario Bros. videogame.

It’s complicated enough, he said, to hold the attention of 40 children in a classroom but to connect with them through distance learning is more so.

But by being innovative with his presentations online, such as the use of the Mario Bros. theme, Rodríguez has not only connected with this students but attracted new ones that were not in his class.

“It’s gratifying to see now, in spite of not personally knowing them, I have created this link with the students.”

The teacher of 33 years, conscious that his students have only one childhood, says he tries to make it a memorable one and “give it all he’s got.”

Source: Reforma (sp)

Mexico will attempt to stop New York auction of pre-Hispanic artifacts

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Maya stone carving
This Maya stone carving is believed to represent an axe used in the Mesoamerican ballgame.

The Mexican government said it will take legal measures to stop an auction of pre-Hispanic artifacts by Sotheby’s New York auction house. The National Institute of Anthropology and History (INAH) said the artifacts are part of Mexico’s cultural history and should not be sold.

The online auction “Art of Africa, Oceania, and the Americas” began on May 11 and lists 26 Mesoamerican items available for bidding. The auction closes on Tuesday.

The most valuable of the Mesoamerican pieces is a Mayan stone carving from A.D. 550 to 950 with a starting price of US $38,000. The piece belongs to the Albright-Knox Gallery and is expected to sell for as much as $70,000.

Sotheby’s describes it as an artifact that probably represents a ritual effigy of equipment used in the Mesoamerican ballgame, in this case an axe.

A Maya orangeware pottery vessel depicting a cormorant, dated between A.D. 250 and 450, has a starting bid of $30,000 and is predicted to be worth as much as $60,000.

Maya orangeware vessel
This Maya orangeware vessel has an estimated value between $40,000 and $60,000.

An Olmec serpentine head from 900 to 300 B.C. is expected to fetch between $5,000 and $7,000.

In the Sotheby’s catalogue, most pieces include a brief description of their origin but it is not clear when or under what conditions they were removed from Mexico.

INAH reported the auction to Mexico’s Attorney General’s Office and requested diplomatic and legal assistance from the Ministry of Foreign Affairs and Interpol.

In February, a similar auction took place at Christie’s auction house in Paris. It included 33 artifacts that Mexico said were part of its cultural history. Despite actions by the INAH and the Mexican government, the auction went ahead and 27 of the pieces were sold.

Sources: AP (en), El Universal (sp), Aristegui Noticias (sp)

Rain relieves CDMX drought but scientists warn the future could bring worse

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Heavy rains have brought relief in Mexico City.
Heavy rains have brought relief in Mexico City.

On May 12, Mexico City saw more rain fall in four hours than it usually receives in a month. But scientists warn the torrential downpours of recent days may become the exception to the rule. Recent studies show that the Valley of México is at risk for entering into a prolonged drought.

The current rains are due to the La Niña meteorological phenomenon, said Benjamín Martínez, a researcher at the Center for Atmospheric Sciences (CCA) at the National Autonomous University.

Long-term, however, Martínez said that the risk of drought remains.

“In a study that analyzed 2,000 years … it was found that there have been humid periods but also brutal droughts that last not one or two years, like we have seen, but decades or even centuries,” Martínez told a press conference.

In addition, deforestation and changes in land use have diminished water infiltration leading to severe consequences like biodiversity loss and forest fires.

Mexico has been in a state of drought since 2020, with 84% of the country experiencing some level of drought conditions. Conditions vary throughout the country: while the northern states of Sonora and Chihuahua suffer through extreme drought, in the Yucatán Peninsula there is no lack of rain.

Hurricane season, which begins May 15 on the Pacific coast and June 1 on the Atlantic side, will bring some additional relief, Martínez said, reducing the effects of the drought and filling reservoirs, particularly in the north.

The current drought is less widespread than that of 2010-2012, in which 95% of the country experienced drought conditions.

Mexico News Daily

Durango artist gives back culturally to the city he escaped to as a child

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artist Trinidad Nuñez
Nuñez and some students at the cultural center workshop in Durango in 2018.

You might have heard of Durango, Colorado, or the Ford Durango or perhaps you have even seen the map of the Mexican state in the movie Rango, but most foreigners have no clue about this Mexican city.

I know I didn’t until I spent three months there subbing for a teacher on maternity leave.

The city is where colonial Mexico meets the northern frontier, on an isolated fringe of the Central Mexican Plateau. But thanks to one of the highest bridges in the world, it is only three hours from Mazatlán.

Like many isolated parts of Mexico, Durango has managed to conserve much of its distinctive culture and in the case of local artist Trinidad Núñez Quiñones, reinvent it.

Trino, as he prefers to go by, is a quiet, modest man. Long hair streaked with gray, maestro Núñez looks younger than his 73 years.

artist Trinidad Nuñez
Maestro Trino at the workshop at the Durango city cultural center. Anthony Arena

He is a longtime fixture at the state university and the city’s main cultural center. The ceramics workshop there is named after him.

His career came from a twist of fate. He was born the youngest of six on his family’s farm in the municipality of Canatlán, famous for its apples. His upbringing was normal until 1953, when a neighbor came for his father over a dispute about horses.

In the end, the neighbor lay dead, and the family had to separate and flee. Trino, his mom, and his siblings wound up on the outskirts of Durango city with nothing.

The upside was that in public school he found that he had a talent and passion for art. Since then, he says, “Art always came first — my true mistress.”

Núñez has worked in various media, canvas, sculpture and even papier-mache (or as it’s known in Mexico, cartonería), but his main success and contributions to Durango come from his work in ceramics, both as handcraft and fine art.

Among his ceramic work, what stands out most are the vessels and other items that he’s decorated with finely detailed designs based on the local Chalchihuite culture. The idea is similar to the recreation and reinterpretation that resulted in Mata Ortiz pottery in neighboring Chihuahua, but Núñez’s work stays a bit more faithful to the look of the original.

artist Trinidad Nuñez
Pot in progress before firing.

They are made by painting a burnt orange, blue or green clay slip over the main body of the piece, then painstakingly etching the lines by hand, a technique called sgraffito.

The process is simple but requires patience and a very steady hand. Although the idea come from indigenous culture, this version of it is all his.

Like many artists and artisans, teaching pays the bills. But over 50 years, it has provided the maestro the opportunity to develop an artistic community in a town far more associated with cows and movie sets for westerns.

Although he retired from the university in 2012 after 40 years, Núñez still runs the workshop at the cultural center he founded in 1980 and teaches students of all ages and interests.

When I was there, an Australian woman was having a go in the workshop, attracted by both the man’s work and his reputation.

He estimates that he has taught over 8,000 students in various arts and handcrafts. Teaching projects have also included programs in extremely poor and indigenous communities in the hopes that pottery and ceramics can raise income levels.

sgraffiti decoration
Etching and setting up space for sgraffiti decoration on a pot. Anthony Arena

He has a home-based workshop, Taller Toltecatl, where he works with wife Norma Elizabeth Campus and his son, Gerardo. Here, they work not only on his signature sgraffito but various other styles of pottery as well.

One type has bright colors and bold designs, and the other consists of pieces painted to imitate works in copper and bronze.

There is a jet-black type inspired by Oaxaca’s black clay pottery, but the forms are quite different from what is done there. The color comes not from painting or the clay itself, but rather firing with a kiln filled with smoke.

The cultural center downtown is currently closed due to the pandemic, but that has not stopped the maestro. With the help of younger family members, he has ventured into online teaching and now has a Facebook page, Productos Cerámicos Trino.

He also found a silver lining to the lack of teaching work — more time to experiment with more types of ceramics.

Leigh Thelmadatter arrived in Mexico 18 years ago and fell in love with the land and the culture in particular its handcrafts and art. She is the author of Mexican Cartonería: Paper, Paste and Fiesta (Schiffer 2019). Her culture column appears regularly on Mexico News Daily.

Video catches Puebla nurse administering fake Covid shot

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The woman who was injected with an empty syringe.
The woman who was injected with an empty syringe.

A nurse in Puebla has been suspended after she failed to correctly administer a Covid-19 vaccine to a woman on Thursday.

The nurse pierced the skin on the senior’s upper arm but didn’t inject her with a vaccine. The woman’s daughter recorded the incident on her phone and later posted it to social media.

Puebla Governor Miguel Barbosa confirmed Friday that the simulated vaccination occurred at the Northern General Hospital in the state capital.

The state Health Ministry contacted the affected woman’s family and made arrangements for her to receive her second required vaccine dose on Friday.

Barbosa told a press conference that authorities will determine whether the nurse made a mistake or failed to inoculate the woman on purpose. They will subsequently determine what punishment will apply, he said.

“Nothing will be hidden,” the governor declared. “We’re angry at this conduct of the nurse.”

Puebla Health Minister José Antonio Martínez García also expressed his indignation, declaring that the department he heads “condemns the act.”

He called on citizens to trust the brigades of health workers administering the Covid-19 shots but also urged recipients to be vigilant and make sure they are actually being injected with a vaccine-filled syringe.

There have been at least two other similar incidents in which seniors were injected with empty syringes at Covid-19 vaccine centers. One incident occurred in Ciudad Obregón, Sonora, in late March and the other in Mexico City in early April.

As of Thursday night, just under 22 million vaccine doses had been administered in Mexico, according to Health Ministry data.

Most of the shots have gone to health workers and people aged 60 and over but the government is now offering vaccines to people in the 50-59 age bracket.

Source: Uno TV (sp), Milenio (sp) 

The biggest downside to making a TV show about crocodiles: the smell

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mexican crocodile
A croc made for the Hollywood limelight. deposit photos

When we last left our intrepid crocodile seekers, they had discovered a farm where the reptilian stars of their proposed episodes of the reality-TV show The Gator Boys would be procured and had scouted a golf course where the crocs could be “spontaneously discovered” by terrified bystanders. Now they just had to wait for the Discovery Channel crocodile handlers to arrive — the fabled Gator Boys … 

As promised, the producer sent a reptile wrangler, Tre — whom we nicknamed Snake Man — to us in Mazatlán. His job was to help catch and transport the five reptiles from the Crocs-R-Us Farm to the Acuario Mazatlán aquarium, our expert partner in this endeavor. The manager, Jorge, had prepared an enclosure for the creatures.

Snake Man explained that, despite their appearance, crocodiles are hypersensitive when it comes to fluctuations in temperatures.

Since this was September in the tropics, hauling these five snappers 140 miles would require a temperature-controlled environment — not too hot, not too cold. We needed a large van, with an open cargo area and good air conditioning.

The Captured Tourist Woman (TCTW) was handling the more detailed requirements of this endeavor: accommodations, special entry visas, a catering service and transport of all the production personnel, actors and other items. The producer told us he’d arranged a couple of tour vans at our disposal.

GB
Reality TV stars The Gator Boys. Discovery

When I approached our driver and asked about using one of his vans to haul crocodiles, his response was that he and the vans rented by the day, whether they hauled people or carnivorous reptiles. His remark seemed rather flippant, so I pushed for a commitment before he contemplated the many potential horrors of the downside.

Myself and the Snake Man spent an afternoon removing all the seats in one of the vans, except the two in front. We then taped down a continuous sheet of heavy black plastic, forming a tub, in case of croc crap.

The next morning, the Snake Man and our van driver headed out early for the three-hour journey to Crocs-R-Us.

When they returned in the afternoon, Snake Man looked a bit peaked, but the driver was downright green and drenched in sweat. Who knew that crocodiles discharged an abundance of runny excrement when stressed out?

The loathsome liquid, I was told, was sloshing in the black plastic tub at every bump and turn. Since the trip had brought only two crocs, another run would be needed the next day.

Our reptile wrangler was willing to do it again; after all, this was not his first croc haul, and he was a professional; but our driver balked. He started raving about massive compensation for his van, which would forever stink of croc crap.

It took an hour and several cold beers, along with a fistful of pesos, to quell his agitated state. We promised to pressure wash the interior of the van and then spray it with several gallons of Febreze ….. if we could please use it again? He finally relented and said we could use the van for one more haul, but he would have his partner drive.

Directly after our second trip, I was asked to build a couple of plywood boxes to contain the reptiles and whatever they might excrete for the short trips to our capture sites. The van driver let us know that he was seriously reluctant to haul the boxed crocs even the short distance to our staging areas during the weeks of filming.

I reasoned with him, explaining that his van smelled as bad as it ever would, so why not keep going? This was his opportunity to be a part of something truly epic, something he and his friends would talk about for years to come.

And there was a bonus: as a tour guide, he could regale his clients with tales of 10-foot predators riding in this very van! Just take a deep breath and savor the distinctive aroma of a Mexican crocodile.

Eventually, he acquiesced. For the first time in this escapade, I felt confident we would have reasonable transportation for the snappers.

Meanwhile, TCTW was busy stocking up on the various types of junk food and energy drinks the cast and crew required to get through the long days of shooting. It became apparent that, although it was difficult to find here, Monster energy drinks were one of the things that kept them going.

crocodile
Imagine having this in the back of your van for a few hours.

I am neither a doctor nor a chemist, but the quantity of sugar and caffeine these people were projected to consume on a daily basis was frightening.

When I next talked with the producer, he told me that the plan was to record enough material for two shows by taking local side trips between the catches. I couldn’t help but envision something akin to National Lampoon’s Mexican Vacation.

The cast of the show included the two Gator Boys — Paul and Jimmy — with minor characters popping in and out between the life-threatening captures. The others included Jimmy’s girlfriend Ashley; Scott, who seemed to be the young prankster; and Tre the Snake Man.

There was a new directive from Eric, our Hollywood producer. We were to find a beautiful and very young Mexican woman who had perfect English. Eric also asked me to talk to Jorge at the aquarium to see if we could use the large boa constrictor in one of the aquarium displays.

Since the mayor had said nothing that would prevent us from doing a snake capture in the city, we thought we could plant the eight-foot boa in a local neighborhood and then have the Snake Man capture the 40-pound reptile.

Now we were only one week away from meeting the total cast and crew at the airport.

What scene will we shoot first? Will the condo gringos actually become hysterical when they see a croc in their pool? Will a load of croc crap add to their hysteria? Will we find a beautiful Mexican woman? Will her English be of a dialect understood by Florida rednecks?

Find out all this and more in the next edition of The Crocodile Chronicles.

The writer describes himself as a very middle-aged man who lives full-time in Mazatlán with a captured tourist woman and the ghost of a half-wild dog. He can be reached at [email protected].

Archaeologist sees manipulation of history for political ends in Tenochtitlán event

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Thursday's celebration of the founding of Tenochtitlán
Thursday's celebration of the founding of Tenochtitlán: four years early?

The government is manipulating historical fact for political gain by commemorating Tenochtitlan’s foundation on the wrong date, according to archaeologists and other academics.

But despite the critics, a ceremony to mark Mexico-Tenochtitlán “and more than seven centuries of history” was held on Thursday.

Experts in the field maintain that no historical source points to 1321 as the date of the foundation of Tenochtitlán, which later became Mexico City, and that the majority believe that 1325 is the more likely date.

But the numeric symmetry must have been hard to resist for government planners: 2021 marks 200 years since Mexican independence and 500 years since Hernán Cortés’ victory at Tenochtitlán, and 15 events are planned this year to celebrate.

The president first made the claim about Tenochtitlán’s foundation in September last year. “We are working together so that this year will be known as the Independence and Greatness of Mexico, 2021, because it coincides with the foundation of Mexico-Tenochtitlán,” he said.

Mexico City Mayor Claudia Sheinbaum, who was charged with organizing the events, repeated the claim. “Mexico-Tenochtitlán, our home, meeting place, place of freedom and rights is getting ready to celebrate its more than seven centuries of greatness,” she said.

Their comments sparked objections from archaeologists, anthropologists and historians who said there was no evidence that the Mexica people founded the city in 1321, arguing that records indicate the pre-Hispanic year of “2-Calli,” coinciding with 1325.

Archaeologist and anthropologist Eduardo Matos Moctezuma, who directed excavations at the capital’s Templo Mayor, was succinct in his criticisms. “It’s an absurdity to commemorate a year that does not appear in any written source or ancient document, as several researchers have already pointed out … It’s really poor that without foundation they have begun to make propositions for a political purpose. It is a clear way to manipulate history…” he said.

“Now they have become historians, [and] they are trying to amend the dates. There is always a way to discuss and make criticism, but scientifically speaking not with people who are improvising. I do not want to imagine what the textbooks are going to say about the topic,” Matos added.

Fellow academics treated the president’s and Sheinbaum’s opportunism with equal disdain. “I prefer scientific history,” said historian Alfredo López Austin.

“Archaeologists are scientists, not tailors who produce dates to measure,” said archaeologist Leonardo López Luján, current director of the Templo Mayor Project.

Matos said the historical manipulation is more than political opportunism, but part of a wider mistreatment of indigenous groups. “One of the parts of history that has been forgotten is that of the indigenous. Sometimes [those in power] have acted in a patriarchal manner,” he said.

Sources: El Economista (sp), Infobae (sp), El País (sp)

As many as 40 cyclones forecast this season, 7 could make landfall in Mexico

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Stormy weather near Playa del Carmen
Stormy weather near Playa del Carmen, Quintana Roo. deposit photos

There will be as many as 40 tropical cyclones in the Atlantic and Pacific oceans this hurricane season, of which up to seven could make landfall in Mexico, according to the National Water Commission (Conagua).

Conagua forecasts there will be 15-20 tropical cyclones in the Atlantic and 14-20 in the Pacific. Hurricane season runs from June 1 to November 30 in the former and May 15 to November 30 in the latter.

The Atlantic Ocean is predicted to get between eight and 11 tropical storms, four to five category 1 or 2 hurricanes and three to four category 3, 4 and 5 hurricanes.

Conagua forecasts that the Pacific Ocean will see between seven and 10 tropical storms, three to five category 1 or 2 hurricanes and four to five category 3, 4 and 5 hurricanes.

“Above average activity is forecast on both coasts,” Conagua chief Blanca Jiménez Cisneros told a press conference.

“[There could be] between five and seven impacts on national territory this season so the public must be attentive and prepared,” she said.

The first tropical storm of the Pacific season formed off the southwest coast of Mexico on Sunday six days before the official start of the hurricane season.

Tropical Storm Andres was the earliest tropical storm to ever form during the satellite era in the eastern Pacific, surpassing Adrian in 2017, CNN reported.

Source: El Financiero (sp)

Quintana Roo on cusp of going red on coronavirus stoplight map

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Covid-19 rapid testing station in Cancún
A Covid-19 rapid testing station in Cancún in April.

Quintana Roo is at high risk of regressing to red on the state’s coronavirus stoplight map due to a recent increase in cases, Governor Carlos Joaquín said Thursday.

In a video message posted to social media, Joaquín noted that the entire state is currently high-risk orange but warned that if residents don’t take care, it was “very probable” that Quintana Roo will switch to maximum-risk red next week, “which would mean lockdown, closures and cancellations,” he said.

The governor said that new case numbers have been on the rise in the Caribbean coast state for five weeks. According to federal Health Ministry estimates, there are currently 945 active cases in Quintana Roo, the fourth highest total among Mexico’s 32 states.

“We knew that during Easter week there were great risks. We knew that there could be a large number of infections, and unfortunately, that’s what happened,” Joaquín said. “There is a significant number of infections, and hospital occupancy has increased,” he said.

According to state government data, there were 163 hospitalized coronavirus patients on Thursday. Benito Juárez, the municipality that includes Cancún, has the highest hospital occupancy level, with 25% of the beds set aside for coronavirus patients being used.

The occupancy level is 16% in Solidaridad, which includes Playa del Carmen. In Tulum, it’s 8%, and 6% in Cozumel. In Othon P. Blanco, where the state capital Chetumal is located, occupancy is at 5%.

“We’re not yet at alert levels, … occupancy is still at green-light levels but … yesterday we had 26 people going into the hospital,” Joaquín said, highlighting that the figure increased from admissions in previous days of 15, 16 and 18.

“… We relaxed the [health] measures, we lost control, we reduced the level of responsibility at … businesses,” the governor said, adding that while proprietors who are not behaving correctly might be able to avoid the authorities, avoiding the coronavirus is very difficult.

“We’re facing a very significant risk. Going to red means lockdown; lockdown means closures,” he said, highlighting the impact that it would have on the economy and employment.

Quintana Roo, where the state government follows its own stoplight system rather than that of the federal government, has not been at the red-light level since last August, when maximum risk restrictions applied in the southern half of the state.

The state has recorded 24,626 confirmed coronavirus cases since the beginning of the pandemic and 2,677 Covid-19 deaths, according to Quintana Roo data.

Mexico’s confirmed case tally currently stands at 2.37 million, while the official death toll is 219,901.

Source: Reforma (sp)