In the first 31 days of the year, 3.25 million people flew through Mexico City's airport, up from just over 2 million in January 2021. AICM
Passenger numbers were up 56% at Mexico City International Airport (AICM) in January in annual terms.
Just over 2 million people traveled through the airport in the first 31 days of 2021, compared to the 3.25 million that flew over the same period this year.
The spike is partly due to an increase in international travelers: last month, almost half were from outside Mexico, whereas fewer than a third were in January 2021. The overall low passenger numbers at the beginning of 2021 trended upward throughout the year, peaking at 4.1 million in December.
However, the number of January 2022 flyers was still relatively few compared to the same month in 2020, before any COVID-19 restrictions on travel were introduced.
The spike in passenger numbers still didn’t beat January 2020’s pre-pandemic figure of 4.2 million. Edgor TovarVmzp85/Creative Commons
That month saw 4.2 million passengers pass through Mexico City’s airport, 29.6% more than in January 2022.
By April 2020, passenger numbers had plummeted as restrictions were introduced: only 295,654 people traveled from AICM that month.
The air hub may see another hit to its traffic soon: the Felipe Ángeles International Airport (AIFA), located about 50 kilometers north of downtown Mexico City in México state, is slated to open in late March.
Tourism largely recovered in Mexico in 2021. Quintana Roo, home to Cancún, Playa del Carmen and Tulum, played host to 84% of the tourists it had welcomed in 2019.
A soldier seeks out land mines in Michoacán's Tierra Caliente region. Sedena
The army has deployed a bomb squad to clear land mines in two Michoacán municipalities after an elderly farmer was killed in an explosion on Saturday.
The Jalisco New Generation Cartel (CJNG) is believed responsible for laying mines, or improvised explosive devices (IEDs), in at least 10 communities in the notoriously violent Tierra Caliente municipalities of Tepalcatepec and Aguililla.
Soldiers are painstakingly searching for mines hidden under dirt or camouflaged among weeds. When one is detected, a bomb squad member wearing a heavy-duty protective suit is called in to deactivate or safely detonate it.
Among the communities where IEDs have been detected or are known to be present are Naranjo de Chila – the birthplace of CJNG leader Nemesio “El Mencho” Oseguera Cervantes, El Bejuco, El Cansangüe and El Aguaje, where 78-year-old Cristóbal N. was killed Saturday afternoon.
Don Cristóbal and his 45-year-old son were on their way to their farm in a pickup truck when a mine they drove over exploded.
Naranjo de Chila is just one of at least 10 communities in the Tepalcatepec and Aguililla municipalities with explosives.
The former was killed instantly while the latter was seriously injured and taken to hospital before being discharged by his family because they were unhappy with the treatment he was receiving.
According to Don Cristóbal’s son-in-law, the deadly IED was located five minutes from the farm, which his father-in-law hadn’t visited for two years due to violence in the area.
“He was hoping to grow limes again,” José told the newspaper Milenio.
The CJNG fled Aguililla, the municipality where El Aguaje is located, last week after the army retook control of the municipality last Tuesday.
The explosion on Saturday came two weeks after an IED damaged an armored army vehicle and injured 10 soldiers when it exploded in El Cansangüe, Tepalcatepec.
Aguililla residents told Milenio that one has to step carefully in the municipality, where the CJNG has been engaged in a turf war with a rival criminal group known as the Cárteles Unidos.
The military has a large presence in places like Aguililla, and some residents say they want it to stay that way. SEDENA
“There are mines all over the place,” one El Aguaje woman said, adding that people are afraid of working on their land.
Indigenous activists used axes, sledgehammers and rope Monday to topple statues in Morelia, Michoacán, that were part of a depiction of their ancestors being exploited by Spaniards during colonial times.
Purépecha members of the Supreme Indigenous Council of Michoacán brought down statues of Fray Antonio de San Miguel, a former bishop of Michoacán, and a Spanish town planner known as Alarife.
The group of four statues – called “The Builders” – showed two Purépecha men being forced to work. Fray Antonio, who supervised construction of an aqueduct in Morelia in the 1780s, was depicted ordering one near-naked man to cut stone while the other indigenous man carried a heavy stone on his back.
Videos posted to social media showed a large group of people pulling a rope placed around the neck of the statue of the priest. They succeeded in toppling the likeness of the 18th century bishop after various attempts, the newspaper El Universal reported.
The head was subsequently removed and taken away, while the body was abandoned at the site where it previously stood on Avenida Acueducto, a major thoroughfare in the Michoacán capital.
At least 24 people who contributed to the toppling of the statues were arrested and will presumably face vandalism charges.
The Purépecha people have been opposed to the statues since they were erected in 1995, and the Supreme Indigenous Council had been asking local authorities to remove “The Builders” for months, arguing that the monument promoted racism and discrimination.
The council noted in a statement that “2022 marks 500 years since the conquest and invasion of Michoacán” by the Spanish.
“During the invasion of what is today Michoacán, the Spanish enslaved thousands of indigenous people. Five hundred years after the invasion of Michoacán, the indigenous people continue to resist and fight as our grandfathers did,” it said.
Morelia’s cultural heritage authority defended the monument in a statement issued in 2020.
“You just have to read the simple and clear plaque on the monument to feel pride in our city, the birthplace of great thinkers,” the statement said. The authority denied that Morelia was built with slave labor.
Protesters pull down the statues on Monday.
Ramón Sánchez Reyna, a historian and professor at the Michoacán University of Saint Nicholas of Hidalgo, opined that the destruction of “The Builders” – the work of sculptor José Luis Padilla Retana – amounts to a loss of tangible heritage in Morelia.
He told the news website Contramuro that social memory is not erased with such actions, and asserted that the activists should seek alternative ways to build support for their cause.
“… As a sculptural piece it has value. I respect and recognize the work of … Padilla Retana,” Sánchez said.
He noted that a statue of Antonio de Mendoza, the first viceroy of New Spain, was previously knocked down in Morelia, but it was recast and reinstalled.
The historian acknowledged that the toppling of statues of historical figures in Morelia is part of a trend that has been seen in Europe and the United States.
The director of the National Institute of Anthropology and History said last October that the relocation of the Columbus effigy was an attempt to protect it.
“This was based, not on any ideological judgement of the character [of Columbus]. … If it had been left in place, it would have been the target of threats and protests,” Diego Prieto said.
An officer holds the woman down while others put her in cuffs.
Municipal police officers in Hidalgo have been suspended after a video showed them violently arresting a 62-year-old woman for failing to produce a business license.
The officers in Pachuca were verifying store licenses when an elderly couple who own an alternative therapies store failed to present one. Both were arrested, the newspaper Reforma reported.
In the video, one female officer is seen pinning the elderly woman down on a street curb, beside a municipal police pickup truck, while two other female officers handcuff her. One of the officers’ hands is on the woman’s neck, pressing her head into the concrete.
“Let me go please, you’re hurting me,” the woman pleaded while pinned to the pavement.
“Do you need three people to arrest one?” another woman shouted to the police.
Pachuca Mayor Sergio Baños said the officers were clearly at fault. “[The video] shows an intervention of the municipal police in Punta Azul with evident excess in the use of force. I have arranged an immediate investigation to establish responsibilities,” he said.
Baños added that the officers involved had been suspended.
The village of El Bosque has lost more than a third of its homes to the sea.
A coastal village in Tabasco is disappearing due to erosion.
El Bosque, 95 kilometers north of Villahermosa, lost 29 homes in January and a primary school cafeteria which served 45 pupils. Now only 45 homes remain standing.
The locals first reported the erosion about eight years ago, when five meters of beach was swallowed. The waves rose again in February, 2021.
An El Bosque municipal delegate, Antonio Merlín Coto, said he was concerned that the village could cease to exist due to the turbulent conditions. “We’re afraid that the whole community will disappear soon due to the cold fronts.”
He added that the waves from the two most recent cold fronts — at the end of January and beginning of February — were so large that they swept away an entire street with street lighting.
Merlín lost his home a week ago, but is still staying in El Bosque with relatives. “Nobody wants to leave the place where they have lived since 1981,” he said.
Others that have lost their homes have built temporary housing. However, Merlín thinks the force of nature will be impossible to resist. On Monday, “another [cold front] will hit us, and we believe that the other houses that are still on the shore, will be swallowed by the sea,” he said.
Guadalupe Cobos is a mother of four that has lived in El Bosque for 34 years. She said authorities were too slow to act. “We’ve been insisting that we need a sea wall, but no one pays any attention to us.”
She speculated at the cause of the turbulent conditions. “I think it’s because of climate change and because of the Pemex platforms, because they are very close to us,” she said.
When the first house was destroyed in February, 2021, Rosa Cardoza Carrillo was left with no choice but to relocate to the municipal capital Centla. Cardoza used to sell seafood, but now sells tamales given Centla’s greater distance from the sea.
“The sea has been sweeping everything away. It took our houses. I lost mine a year ago… it was the first,” she said.
So far, no authority has conducted a study into the causes of the phenomenon, but the state government has said the damage will be examined by experts.
People left homeless have written to authorities, but the division between the 300 villagers complicates matters: some want to be relocated while others want to stay, largely due to their economic dependence on fishing.
However, Merlín isn’t sure their resolve will continue. The cold fronts end in May “but then the hurricane season comes and that ends in November. Do you think the community is going to stand it?”
Members of the National Guard and state police on patrol in Colima city in November 2021. Colima SSP
A surge in violence in Colima – including numerous murders between Monday and Friday last week – is the result of a scission between the Independent Cartel of Colima, also known as Los Mezcales, and the Jalisco New Generation Cartel (CJNG), according to a report by Milenio.
Government sources who spoke with the newspaper said that Los Mezcales had acted as the armed wing of the CJNG in the small Pacific coast state, but its sicarios decided to switch allegiances to the Sinaloa Cartel.
The first manifestation of the split was a brawl in late January between CJNG and Independent Cartel members imprisoned at a prison in Colima city. Ten inmates were killed and seven others were injured. The feuding inmates were housed together because they previously identified as belonging to the same criminal group, Milenio said.
Violence subsequently broke out on the streets of Colima city and the neighboring municipality of Villa de Álvarez. At least 10 narcomantas, or narco-banners, on which the CJNG and Los Mezcales threatened each other and Governor Indira Vizcaíno, have appeared in the Colima city-Villa de Álvarez metropolitan area.
After days of silence, the Colima Attorney General’s Office (FGE) reported last Friday that police were investigating crimes including homicide and attempted murder committed last week in Colima city, Villa de Álvarez, Coquimatlán and Manzanillo.
In a statement posted to its website, the FGE acknowledged 15 murders or discoveries of bodies between Monday and Friday of last week. It said that additional human remains were found in two different locations last Tuesday but didn’t specify the number of victims, and noted that six people were wounded in armed attacks and one person was abducted.
The FGE also said that two people were arrested in possession of firearms last Tuesday. It said the spate of violence was the result of a dispute between criminal groups, but didn’t specifically mention the CJNG or Los Mezcales.
The former is one of the two most powerful cartels in Mexico, the other being the Sinaloa Cartel. The CJNG’s leader, Nemesio “El Mencho” Oseguera Cervantes, is a wanted man both here and in the United States.
Los Mezcales was formed in and takes its name from Mezcalito, a Colima city neighborhood known for crime and described by Milenio as one of the “key points” for the distribution of drugs in the capital.
The gang is led by a man known as “El Vaca” (The Cow), whose identity hasn’t been disclosed by authorities.
Esmeralda Ramírez Gordiano begins painting a pre-Hispanic eagle from a stencil drawing. Photos by Joseph Sorrentino
Talavera pottery arrived in Mexico from Spain soon after the conquest and quickly took root in pueblos in the states of Tlaxcala and Puebla, where ceramics had already been made for hundreds of years.
Traditional Talavera has distinctive, boldly colored decorations that bear a range of patterns from the simple to the extremely complex. They may also include flowers or animals.
So, after half a millennium and an infinite number of possible designs associated with the distinctive pottery style, it would seem difficult at this point to create something new.
But Claudia Montiel León, the owner of Tonantzin workshop just outside of San Pedro Cholula, Puebla, has done exactly that by incorporating something ancient: pre-Hispanic designs and symbols.
The word Talavera comes from Talavera de la Reina, a city in Spain that became famous for its ceramics in the 15th and 16th centuries, eventually becoming known as “The City of Ceramics.” Craftsmen from that city were brought to Mexico to decorate the Church of Santo Domingo in Puebla city, whose construction began in 1571. Once there, they taught locals how to make Talavera using a potter’s wheel and tin-glazing, something that was new to them.
Clays found in the region, surrounding the active volcano Popocatépetl, are of high quality and are used in Montiel’s ceramics.
“We use a combination of clays from Ajalpan, which is in the zone near the volcano,” she said. “It is a special clay, known for its plasticity and color. It is only found in this zone.”
Tonantzin owner Claudia Montiel Léon holds a traditional Talavera piece at left and one decorated with a pre-Hispanic motif at right.
Once brought to her workshop, the clay is mixed with water and then placed in the sun to dry, a step that can reduce the clay’s volume by as much as 50%.
“The items must then be shaped, dried and fired the first time,” Montiel explained. “The firing is at 1030 degrees Celsius (1886 F). It takes nine hours to reach that temperature. The fire is then shut off, and the items are left to cool for nine hours. After that, the pieces are dipped in enamel and painted.”
When the paint is dry, the pieces are fired again. “Talavera is fired twice,” said Montiel. “Things like the ceramics sold in stores or stands, they are only fired once.”
Montiel’s interest in making Talavera pottery was the natural outgrowth of her work as a chemical engineer. “I worked in a lab making floor tiles and learned how to make Talavera through that work,” she said. “When my youngest child entered school, I started making [it]. I had more time to work on this.”
She started Tonantzin (which is Náhuatl for “our venerated mother”) 20 years ago and offers two kinds of ceramics: classic Talavera and ceramics with pre-Hispanic designs. She uses the same process for both. “The designs are pre-Hispanic. but the techniques are contemporary.”
She started making ceramics with pre-Hispanic designs 12 years ago. “We want to express our pre-Hispanic roots, our Cholulatecan roots, our legacy,” she said. “It is important to recognize our roots, and our roots are in ceramics. Cholula was a center for ceramics. It was the most important city in all of Mesoamerica. It was a ceremonial, religious, political, cultural, artistic and ceramics center.”
Her pre-Hispanic designs are taken — with permission — from the book, Arte y Diseño en Cerámica Prehispánica de Cholula by Carlos Pinto (Art and Design in Pre-Hispanic Ceramics of Cholula).
“In the beginning, I was interested in collecting pieces of pre-Hispanic ceramics that are found all over Cholula,” said Pinto, who studied graphic arts and design at the University of the Americas in Puebla (UDLAP). The pieces that have designs on them, he mentioned, are called tepalcates.
“My work in the book was to draw each of the designs,” he said. “These designs are all from Cholula. The designs changed a lot over the years. The first were very simple and then, in the post-Classic period, became more complex. In the post-Classic, there were artists who worked in ceramics as well as on codices.”
The post-Classic (A.D. 900–1519) is his favorite period. “The designs are more expressive,” he said. “There’s more movement in them. The designs changed from being merely ornamental to being symbolic.”
Some of the designs were influenced by ceramics brought to Cholula by other cultures. “Cholula was, and is, a sacred city dedicated to the god Quetzalcóatl, Pinto said. “All of Mesoamerica came here to venerate the god, to exchange goods, so there is much influence from other cultures. There have been some Mayan pieces uncovered here.”
In the Tonantzin workshop, Esmeralda Ramírez Gordiano sat at a table in a small cubicle, intensely focused on the piece in front of her that she was painting with a pre-Hispanic butterfly. Butterflies were important symbols in pre-Hispanic cultures.
Tonantzin is an all-female workshop. Owner Montiel says that women tend to be better at the precision necessary “and they need the work.”
In Cholula, butterflies were associated with warriors, fire, death and rebirth. The one she was painting was highly detailed. “It takes about four hours to paint this,” Ramírez said.
Learning to paint a piece, said Montiel, takes a significant amount of time. “It is not easy to learn,” she said. “For some women, it comes naturally. It takes six months to one year to learn to paint because it is very precise [work].”
Before she starts to paint, Ramírez uses a stencil to trace a design onto the piece. The stencil is coated with charcoal, and as she rubs the stencil with a small stone, the design is transferred to the item on which she’s working.
To complete something like the butterfly takes about one month, she said.
In addition to pieces with pre-Hispanic designs, Montiel also sells ceramic plates decorated with the days of the Mexica sacred calendar, known as the tonalpohualli, or the “count of days.” There are 20 days in that calendar, and each one has a name and symbol. Montiel’s plates have one symbol in the center and a design around the edge.
Across from Ramírez, Elizabeth Trinidad Espinoza was working on more traditional Talavera. “Some of the pieces are for clients and have a more contemporary design,” Trinidad said.
Before firing, the paint isn’t the deep-blue color typically associated with the artisan style.
“The color changes at high temperatures,” said Montiel. “It is a chemical process.” Although blue is the color most associated with Talavera, yellow, black, green, mauve and orange may also be used.
Making Talavera and pre-Hispanic ceramics is a time-consuming process. “It is difficult,” said Montiel, “because it is artisanal, made piece by piece.”
There are seven women working full-time at Tonantzin. Montiel was asked why there were only women working there. “For this work, women have more sensitivity than men,” she said. “Also, it is to help their families. They need the work.”
You can find Tonantzin’s products in La Antigua México, a store located on Avenida Morelos 216 in San Pedro Cholula, on their Facebook or Instagram pages or by emailing them.
Mexico's ranking declined in 2021. It was previously considered a flawed democracy.
Mexico took a step toward authoritarianism in 2021, according to a well-established democracy index. For the first time, the country was ranked as a “hybrid regime” rather than a “flawed democracy” in The Economist Intelligence Unit (EIU) 2021 Democracy Index.
The index assigns a score from one to 10 based on five categories: electoral process and pluralism, functioning of government, political participation, political culture, and civil liberties. It averages rankings by a variety of experts and incorporates public opinion surveys and voter turnout data.
Mexico scored 5.57 on the 2021 index, half a point lower than in 2020. The declining score is part of a trend: Mexico has lost points on the index in most years since 2010. In 2021, it tied with Ukraine for 86th place out of 167 countries.
A particularly low rating in the political culture category — just 3.13 points out of 10 — dragged down Mexico’s total. The score represents a low level of support for democratic values, and little resistance to the influence of authoritarian figures, military leaders or religious institutions.
But Mexico was far from alone in the supposed erosion of democracy. The average global score was 5.28, less than Mexico’s and a decline from the 2020 global score.
Democracy Index analysts attributed that decline in part to the pandemic. In both authoritarian and democratic countries, civil liberties have been curtailed in the name of public health (with or without the support of citizens). The pandemic has also entrenched divisions between those favoring the precautionary approach and those favoring less government interference, the EIU wrote.
Latin America’s average regional score also fell for the sixth consecutive year, to 5.83. The report attributed this, in part, to “illiberal populist” leaders like President López Obrador, Nayib Bukele of El Salvador and Brazil’s Jair Bolsonaro. It also mentioned a “growing scepticism about the ability of democratic governments to address the region’s problems and increasing tolerance of authoritarian governance” as a factor.
A major threat to Mexican democracy, according to the EIU, were López Obrador’s efforts to concentrate power in the executive branch, his accusations that electoral authorities and the press are biased against his government, and his increasing intolerance of criticism, even from allies. Along with the dangers posed by election narco-violence, “a further erosion of Mexico’s democracy is likely as the presidential election in 2024 moves closer,” the analysis concluded.
The Economist has presented unflattering information or opinions about the president on several occasions in the past; last May, an editorial comparing the president to an “authoritarian populist” was accompanied by a magazine covering depicting AMLO with the words, “Mexico’s false messiah.” López Obrador responded that the the coverage was propagandistic, rude and dishonest.
Some analysts have criticized the index for a lack of transparency about which experts contribute to the scoring. EIU is a private UK-based corporation, and a sister company to The Economist newspaper.
Chihuahua is the leading producer of peppers and chiles among Mexico's states.
Mexico was the world’s leading exporter of bell peppers in the first 11 months of 2021 with 29% of the world’s market.
The sweet fruit, treated as a vegetable in cooking, brought in US $1.37 billion from January through November 2021, a rise of 5.4% in annual terms. Bell pepper exports brought in just under $1.3 billion over the same period in 2020.
The main buyers were the United States, Canada and the United Kingdom.
However, the vast majority of the peppers sold — 1.47 million tonnes — were destined for the United States.
The U.S. is the biggest importer of chiles and bell peppers in the world, taking 32.3% of the market.
The highest producing state for the two products from 2016 to 2020 was Chihuahua, with 23.6% of the total yield. When indoor production is not included, Sinaloa is the biggest producer at around 166,000 tonnes a year.
During the same period, 3.3 million tonnes were produced per year in Mexico. Almost 50% are produced in a protected environment, allowing for year round production.
Peppers are native to Mexico, Central America, and northern South America. Pepper seeds were imported to Spain in 1493 and then spread through Europe and Asia.
José Ramón López Beltrán and his wife, Carolyn Adams. Twitter
President López Obrador’s oldest son has denied any conflict of interest in relation to his family’s past and present living arrangements.
The news outlet Latinus and non-governmental organization Mexicans Against Corruption and Impunity (MCCI) published a report in January that said José Ramón López Beltrán and his wife Carolyn Adams had rented a million-dollar home in Houston owned by Keith L. Schilling, a high-ranking executive with Baker Hughes, an oil sector company that has contracts with state oil company Pemex worth over US $150 million.
The report also said that López Beltrán and Adams now live in another Houston home that could be worth as much as $948,475.
That house, located in the northwest of Texas’ largest city, is registered in the name of Adams, a Brazilian-American woman who has worked in Mexico as a lobbyist for an energy company, the report said.
The revelations created a scandal for López Obrador due to the connection between his son’s former landlord and Pemex, and because López Beltrán’s apparently extravagant lifestyle is in sharp contrast to his father’s much vaunted ideals of austerity.
A luxurious Houston, Texas house where José Ramón López Beltrán lived, according to a report by Latinus and MCCI. Screenshot
AMLO last week called on his 40-year-old son – a lawyer by profession – to disclose what he does for a living in the United States. “I hope José Ramón responds [to the report], he’s grown up now,” he said Friday.
“In a strict sense … it’s not about attacking my son Andrés about Rocío Chocolates, it’s not about attacking José Ramón because his wife rented a house in Houston supposedly linked to a company that works for Pemex … These attacks are not for my sons, they’re [directed] at me,” López Obrador told reporters at his morning press conference, describing the Latinus/MCCI report as a farce and declaring that there was no conflict of interest.
Two days later, López Beltrán said in a a statement posted online that he and his family had decided to move to the United States in 2018 and that he has worked since 2020 as a legal advisor for KEI Partners, a property development consultancy.
He said he obtained his U.S. work visa via the Houston-based company.
“I am a private citizen and I don’t have any interference in the government of Mexico. My income comes 100% from my work in Houston. There wasn’t nor will there be a conflict of interest. I ask you to respect my private life and that of my family,” López Beltrán wrote.
Carlos Loret de Mola, who collaborated on the investigation into AMLO’s son’s life in the U.S., took to Twitter on Monday to respond to the statement.
The company for which López Beltrán works, the journalist asserted, “created its website yesterday and belongs to the son of a businessman and advisor to AMLO to whom he entrusted the Maya Train. What a joke. What a scandal,” he wrote.
Adams released a much longer statement, saying that she and José Ramón – parents to a young son and Adams’ daughter – decided to leave Mexico to maintain their privacy and “not cause any kind of conflict of interest.”
She acknowledged she worked in the energy sector but denied any link to Baker Hughes or any of its executives.
“I rented a house for one year. José Ramón was still doing the paper work for his visa. … Here you have to use a real estate agent with a license and the parties (landlord and tenant) rarely meet. Everything was done formally, according to United States rules and requirements,” said Adams, who also posted extracts of WhatsApp conversations with the real estate agent who assisted her.
She said she took out a mortgage to buy her current home and the bank reviewed all the relevant details. Adams charged that her family has been “gravely exposed” and defamed by “endless fake news” – treatment she described as “unacceptable.”
“Everything that has been said and published about us in reference to any link to the company Baker Hughes is false,” Adams wrote.
She also said that her family’s safety has been placed at risk by an invasion of privacy. The purpose of the lies, Adams added, is to “damage third parties,” a veiled reference to her father-in-law.
“I hope that everyone who created this fake news finds peace in their hearts. God bless all of us,” she concluded.