A new Golden Globe-winning musical comedy, Emilia Pérez, is sparking debate, raising questions about the role of art in depicting sensitive and potentially offensive subjects. The film has garnered praise for its technical achievements, including cinematography and acting. However, some viewers find the film’s premise and portrayal of certain characters to be problematic.
The controversy stems from concerns about the film’s handling of real-world issues and whether it trivializes a serious crisis. Critics argue that the film’s comedic approach is insensitive and sends the wrong message. This debate highlights the importance of considering diverse perspectives and the ethical implications of creative choices when tackling complex social issues.
MND Deep Dive: Is Emilia Pérez offensive?
Join our subscriber-exclusive podcast as we discuss whether Emilia Pérez is a subversive and masterful take on the humanitarian crisis facing Mexico, or whether the show is a tired recycling of lazy tropes, presented in the most disrespectful manner possible.
This podcast was produced using AI tools. All information collected and discussed in this episode was investigated, written and edited by human journalists. Compiled from a Mexico News Daily article by María Meléndez. Edited by Chris Havler-Barrett. Podcast produced by Chris Havler-Barrett.
No Clash of opinion here: I really did NOT like this film which I saw recently in the USA. It’s a convoluted and messy depiction of issues. And then it breaks into song while talking about massive numbers of people disappearances and brutal narco culture. Its dialogue is not funny, its musical numbers are not entertaining, its depiction of Mexico City and Mexicans is an offensive trope.
The music was HORRIBLE… the dance routines were UNWATCHABLE. The script was incoherent… IT HAS OSCAR WRITTEN ALL OVER IT!