Mexico’s Federal Consumer Protection Agency (Profeco) is investigating complaints from consumers seeking a refund from the Mexican movie theater chain Cinépolis after watching the film “Emilia Pérez.”
Since last Thursday, the agency has received many complaints on social media from consumers demanding the money spent on their movie tickets back, the head of Profeco Iván Escalante said during President Claudia Sheinbaum’s Monday morning press conference.
#BoletínDePrensa Derivado del reclamo de algunas personas consumidoras a través de redes sociales por el incumplimiento de la “Garantía Cinépolis”, la Profeco entabló pláticas con Cinépolis para precisar los términos y condiciones de dicha garantía, conforme a lo estipulado en la… pic.twitter.com/sXHaaAdC1U
— Profeco (@Profeco) January 24, 2025
Several moviegoers criticized the cinema for allegedly not honoring its “‘Cinépolis Guarantee,” which promises to reimburse the cost of your ticket if you are dissatisfied with the film.
“We contacted [Cinépolis] immediately,” said Escalante. “What they’re telling us is that it was a guarantee that they ran as a campaign to recommend certain films, but that in reality, since [the campaign] had been around for a long time and had not created any major problems, they left the guarantee in place, but had not trained their staff on how to [administer reimbursements].”
Emilia Pérez, directed by French filmmaker Jacques Audiard, had 10 nominations and four wins at the Golden Globes on Jan. 5 in Los Angeles. It has since broken the record for the most Oscar nominations earned by a non-English language film, with 13.
However, many Mexicans have responded negatively to the film, which portrays the leader of a cartel as a redeemed figure. They criticize the director for a perceived lack of cultural awareness about the disappearance of hundreds of thousands of people in Mexico as a result of cartel activity.
“Turning the country’s biggest security crisis into a musical where the protagonist is one of the perpetrators of that crisis shows a profound lack of respect,” wrote Mexican writer María Meléndez for Mexico News Daily.
“The impunity enjoyed by those responsible for over 300,000 dead and 121,000 missing isn’t material for a comedy,” added Meléndez.
At its Mexican premiere on Jan. 15, the French filmmaker responded to the criticism. “The drama of the missing is something that shocks me deeply,” Audiard said. “It’s a tragedy that’s largely invisible outside of Mexico, and my goal was to generate dialogue, not offense.”
Profeco said that it is currently reviewing demands for refunds from consumers who paid to watch “Emilia Perez” at Cinépolis theaters.
The agency has recommended that Cinépolis “recommend” rather than “guarantee” films under its policy, to avoid customer disappointment.
With reports from El Universal, Aristegui Noticias, The Guardian and El País
Oh, man. I’d been excited to see this and finally did this past weekend… forget culturally insensitive; it was a spectacularly bad film, missing every mark it meant to hit. I am baffled about all of the Oscar nominations it received. The music was weird and monotone, and sometimes it wasn’t even clear if characters were delivering actual lines or “rapping.”
The only reason is the transexual that is in the movie.
Don’t worry, everyone, this was just “to generate dialog.”
Please don’t tell me that Mexico is going woke too! The u.s. movies and “popular” culture in general has been putting woke bombs for years, but they really ramped it up when Biden took office. The wokies have been condemned and exposed as leftist idiots so they’re failing miserably in the u.s. Please Mexico… don’t go down that road. Speak out loudly against the woke idiots. Gracias..
Was it “bad” because people didn’t like the message – a redeemed cartel leader as protagonist who happened to be trans? Was it “good” because it featured a sympathetic, redeemed, trans cartel leader? Same political coin, different sides. Was the Netflix series El Chapo any good because it was a violent crime drama, not a musical, even though it presented Guzman in a sympathetic light from time to time? I liked both for different reasons. I generally can’t stand musicals but I enjoyed Emilia Perez. Fighting the cartels and impunity in general is a separate issue entirely.